Ivan Meylemans
Ivan Meylemans
Conductor
Ivan Meylemans is managed by Leontien van der Vliet.
Contact:
E: leontien.vandervliet@interartists.nl
T: +31 6 5 24 68 707
Reviews
“I was impressed by his technical ability, his powers of communication to the orchestra, his natural authority and the clarity of his musical ideas.”
“Warmte komt van de hoorns en eufonia (tuba-achtige orkestreuzen). De grootte van de trompetgroep maakt dat uit die hoek soms ijzige stormen komen opzetten, zeker wanneer in de symfonie oorlogstroepen hun messen slijpen. Dirigent Ivan Meylemans gaf ook de tedere klanken van harp en klokkenspel alle ruimte. Het expressief zingende Brabant Koor wist hij op te zwepen tot een stampende, scanderende menigte die met keien in de vuist hard ketsende geluiden voortbracht. Mooi dat hij het op andere plekken terugbracht tot een intiem zingend kamerkoor.”
“Chapeau for HZO and conductor Ivan Meylemans
The Zeeuws Orkest gave three performances in one concert, three times in one day. And three times for a well-filled auditorium. Chapeau for HZO and conductor Ivan Meylemans. The programme was attractive. All sections of the orchestra were covered and the audience was given a demonstration of the possibilities of all instruments. The choice of compositions resulted in many flavours and pleasant combinations. The stage was extended, the one and a half meter was respected. Brass, woodwinds and small symphonic orchestra performed one after the other.
The brass players were the first to be addressed. Former trombonist Ivan Meylemans had his musicians shave high summits. Especially in the “Gadfly suite” of Shostakovich. The contribution of the percussion created a special tension. All the characteristics of Shostakovich’s music came out in this work: the threatening atmosphere, reminiscent of the war and marching military columns, dancing moments, sometimes cynical sometimes full of humour, subdued phrases and beautiful melodies.
Then it was the turn of the woodwind players who, with the Petite Symphony for nine horns by Gounod, brought about a climax. In this work of Gounod every note sings. There was a good response to each other, making the many melody lines smooth and perfect. In the Andante cantabile, the lilting melody, first performed by the flute, was cleverly repeated by the oboe, while the other instruments provided a rippling accompaniment. Triumphant horns in the Scherzo and an almost heroic sounding, rhythmically strong finale confirmed how enthusiastically and passionately this music was performed.”